Anne Garrels, Fearless NPR Correspondent, Dies at 71


HR King
May 29, 2001
The NPR correspondent Anne Garrels in Iraq in 2006. She became known for conveying how momentous events like wars affected the people who lived through them.

The NPR correspondent Anne Garrels in Iraq in 2006. She became known for conveying how momentous events like wars affected the people who lived through them.Credit...Dianna Douglas/NPR

By Katharine Q. Seelye
Sept. 7, 2022
Anne Garrels, an international correspondent for NPR who reported from the front lines of major conflicts around the world, including during the American “shock and awe” bombing of Baghdad in 2003, died on Wednesday at her home in Norfolk, Conn. She was 71.
Her brother, John Garrels, said the cause was lung cancer.
Ms. Garrels started her journalism career in television at ABC News. But it was at NPR, where she worked for more than two decades, that she made her name covering strife and bloodshed across the globe. She became known for conveying how momentous events, like wars, affected the people who lived through them. Her backdrops included the Soviet Union, Tiananmen Square, Bosnia, Chechnya, the Middle East, Iraq and Afghanistan.
“Garrels’s reporting is full of history, context, analysis and humor, combined with the skillful use of natural sound.” So read the citation when she won an Alfred I. duPont-Columbia University Award for her coverage of the Soviet Union in 1997, though it could have applied to her body of work over the years.

Her elegant personal style and intellectual air masked a zeal for taking risks. She covered both Chechen wars despite a Russian ban on outside journalists. After the terrorist attacks of Sept. 11, 2001, she traveled to Afghanistan to report from the front lines of the anti-Taliban Northern Alliance. During that trip, when journalists in a convoy were ambushed and killed, Ms. Garrels decided that she would be safer traveling alone‌ and embarked by herself on a two-day bus ride to Kabul.‌
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Along the way, she collected the stories of the people around her for reports on the war’s human toll, writing dispatches by candlelight and sending them by satellite phone.
“She was relentless, just relentless,” Deborah Amos, an NPR correspondent who worked with Ms. Garrels overseas, said in a phone interview last year for this obituary. “She took every risk you could take.”
She was also irrepressible. When the war in Ukraine began in February, Ms. Garrels, long retired from NPR and in treatment for cancer, proposed covering the conflict.
The network declined to send her, so instead she helped found a nonprofit relief organization,, which raised money to send supplies to Ukrainians.
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Unlike some correspondents, who parachute into hot spots and move on, Ms. Garrels often returned to the scenes of her earlier reporting and dug in. To monitor the breakup of the Soviet Union, for example, she followed residents of a single city in west-central Russia for 20 years.

Her most acclaimed reporting came during the 2003 Iraq war. More than 500 journalists, including more than 100 Americans, covered the run-up to the war. But once the United States began the all-out bombing campaign known as “shock and awe,” she was one of 16 American correspondents not embedded with U.S. troops who stayed — and for a time was the only U.S. network reporter to continue broadcasting from the heart of Baghdad.
With her vivid reports often picked up by other broadcasters, Ms. Garrels — and her safety — became a story in itself.
Once she was home, other reporters interviewed her about her ordeal. She told of subsisting on Kit Kat chocolate bars and Marlboro Lights, bathing by gathering water in huge trash cans, and powering her equipment by attaching jumper cables to a car battery, which she lugged up to her hotel room every night.
Ms. Garrels told Terry Gross, the host of the NPR program “Fresh Air,” that she had not thought twice about staying in Baghdad. “My gut instinct told me I would be OK,” she said, in part because she worked with a very competent fixer.
She admitted to Ms. Gross that she had been worried at times about being taken hostage, but she said she was usually so exhausted at night that she “slept like a baby through the bombing.”

What really scared her, she said, was the thought of not telling a story as well as she wanted to. “I don’t write easily,” she said. “It’s a painful process.”
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Years later, Ms. Garrels said in an NPR interview that while in Baghdad she had experienced a crucial journalistic reckoning. When the U.S. Marines and some Iraqis toppled a massive statue of Saddam Hussein, the country’s dictator, she quoted somber Iraqis saying that the arrival of American troops had been humiliating and predicting that the Americans would soon be resented. By contrast, she said, the dominant images on television were of jubilant crowds cheering the fall of the statue.
Ms. Garrels’s editors in Washington were watching television and asked her if she wanted to revise her story, given the discordance between her words and the televised images. No, she told them, insisting that her interviews more accurately reflected the moment.
Her version was borne out by other photojournalists on the ground and by an after-action report by the Army, which said that the Marines had more or less stage-managed the toppling of the statue with a small number of Iraqis in an otherwise empty square.
“That was probably one of the most important moments for me as a reporter,” she said, as it reinforced her instincts to trust her own reporting.
Her ability to find the deeper reality became a hallmark of her reporting.
In 2003 she received the George Polk Award “for enduring bombings, blackouts, thirst and intimidation to report from the besieged Iraqi capital of Baghdad.” The next year she was part of the NPR team that won the duPont-Columbia Award and a Peabody Award for its Iraq coverage.

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