...the film ironically suggests that the man to save us is Moore. He will go out and “invade,” but this time he won’t use weapons; he will just pillage other nations for their good ideas and bring them back for us to claim.
Moore travels to Finland, Slovenia, France, Tunisia, Italy, Portugal, and beyond. In each country he finds a policy that is not only more humane than current U.S. practice, but also more effective. Among the many innovative policies he covers, he documents better women’s rights, prison policy, worker rights, and educational policies than we have in the United States.
The film has been called “chirpy” and “romantic,” but these reviews miss the point. Sure it’s hilariously funny at times, sure it’s deeply ironic, but the focus on covering “good” stories from across the globe only further serves to show what’s tragic here. It’s the deep dialectic between these images that drives the power of the film. With each shiny image abroad, the contrasting images of the United States feel more and more tarnished. All it takes is comparative photos of school lunches in the United States and France to turn American exceptionalism on its head.
http://www.alternet.org/culture/mic...ilm-our-military-has-not-won-war-world-war-ii