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Dreams fulfilled: An Iowan who helped make baseball the national pastime

cigaretteman

HB King
May 29, 2001
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Adrian Anson was the Iowa-born “King of Swing” in early professional baseball. His records were not exceeded until the likes of Ty Cobb and Babe Ruth.





As Iowa prepares for the Field of Dreams classic at Dyersville between the White Sox and Yankees on Aug. 12, baseball history is being made with the first regular season Major League Baseball game in the state. That does not mean, however, that the Hawkeye State has a zero batting average in the country’s national pastime. In fact, it was an Iowan who helped gain baseball the critical acclaim it needed in its infancy to become the professional sport it is today.

Adrian Anson, otherwise known as “Cap,” capped a 30-year career in baseball by achieving, in his early years, a .400 batting average and smacking more than 2,000 RBIs throughout his lifetime on the diamond. He set the standards and the record for baseball, which was not exceeded until the likes of Ty Cobb and Babe Ruth.

Anson was born the son of one of the pioneer settlers of Marshalltown in 1852. As a child, he honed his hitting skills in informal back lot matchups within the fledgling community and brought his talent to the University of Iowa. He found baseball, not academics, to be his calling and in 1870 was discovered by an agent of Al Spalding, later co-founder of the National League.

As we think of Kevin Costner’s character, Ray Kinsella, sacrificing nearly everything to fulfill his dream of baseball, let us not forget another Iowa legend who lost it all in pursuing his passion of America’s pastime

Anson, at age 19, was recruited by Spalding to play for the Rockford Foresters of what was then known as baseball’s National Association. He was an instant hit, accruing a .325 batting average while holding the position of first baseman for the team.

In 1876 William Hulbert and Spalding chartered a new division in professional baseball called the National League. Its flagship team, which at the time wore all dark blue uniforms and caps, donned long ivory colored socks that stretched from their foot to their knee and became dubbed “The White Stockings.”

Anson was the team’s powerhouse hitter and led the club to capture its first pennant that year. Two years later, following on that success, he was struck out only once in the entire season, and the next year was named manager of the team.

He continued to play on the field in that role with the White Stockings building up an unprecedented .798 winning percentage. Anson himself captained the team to three more pennants and maintained a .400 batting average. He became known as “The King of Swing” and was noted as one of the most recognized names in sports around the world.

A dark chapter in this stellar career came in 1883 when he objected to playing against the Toledo, Ohio team that included an African American catcher (Anson, in later years, embraced Black athletes and enthusiastically played on the field with members of what would become the Negro League). His star continued to shine through the late 1880s, including two more pennants and a World Series.

A shadow, however, would be cast over him and all of baseball at the beginning of the ensuing decade when, in a dispute over pay and other issues, ballplayers walked out on their teams and Anson formed his own branch, which he called the Players League, captaining its flagship club, the Chicago Colts. The rift between athletes and management was ultimately resolved and the National League restored to prominence, but resentment by many players reduced Anson’s standing in the sport.

By that time in his 40s, his performance on the diamond began to wane, hitting less than a hundred runs by the end of the 1892 season. He remained in the line up until 1897, completing his Chicago career with a batting average of .285 that year. Anson retired in the fall at age 45, the oldest player to that time in the history of the league. Raised on small-town pioneer values, he turned down a $50,000 pension, terming it “charity.”

Anson never lost the itch to play, though, and went on to serve a year as manager of the New York Giants and then returned to the Windy City where he organized a minor league team, reviving the name of the Colts, and built a baseball stadium in which they could play, on the city’s south side (not to be confused with Comiskey Park, which was later erected on 35th Street as home to the American League’s White Sox franchise). At 55, he chose himself to play first base but despite his fame was unable to finance and attract top athletes. The business folded in 1910.

Anson soon lost the club, the stadium and his home in bankruptcy and moved quietly to reside with his in-laws. There, he lived off scant residuals he made from sales of a biography he wrote and occasional speaking engagements on the Vaudeville circuit as a former celebrity.

Anson died in 1922, penniless. The National League took up a collection and paid for his burial at Oak Woods Cemetery in Chicago. His grave is marked by a granite marker bearing two baseball bats crossed at the center.

Now, as we think of Kevin Costner’s character, Ray Kinsella, sacrificing nearly everything to fulfill his dream of baseball, let us not forget another Iowa legend who lost it all in pursuing his passion of America’s pastime.

A monument has been put up in downtown Marshalltown honoring the Anson family legacy. Although it has received little attention and only an occasional few visitors, perhaps the aura of the Major League contest in Dyersville will prove the mantra true once again: “if you build it, they will come.”

 
Great article. Thanks! And (I didn’t see this mentioned) those “White Stockings” eventually became the Cubs. So another U of I player who starred for the Cubs.
 
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Adrian Anson was the Iowa-born “King of Swing” in early professional baseball. His records were not exceeded until the likes of Ty Cobb and Babe Ruth.





As Iowa prepares for the Field of Dreams classic at Dyersville between the White Sox and Yankees on Aug. 12, baseball history is being made with the first regular season Major League Baseball game in the state. That does not mean, however, that the Hawkeye State has a zero batting average in the country’s national pastime. In fact, it was an Iowan who helped gain baseball the critical acclaim it needed in its infancy to become the professional sport it is today.

Adrian Anson, otherwise known as “Cap,” capped a 30-year career in baseball by achieving, in his early years, a .400 batting average and smacking more than 2,000 RBIs throughout his lifetime on the diamond. He set the standards and the record for baseball, which was not exceeded until the likes of Ty Cobb and Babe Ruth.

Anson was born the son of one of the pioneer settlers of Marshalltown in 1852. As a child, he honed his hitting skills in informal back lot matchups within the fledgling community and brought his talent to the University of Iowa. He found baseball, not academics, to be his calling and in 1870 was discovered by an agent of Al Spalding, later co-founder of the National League.



Anson, at age 19, was recruited by Spalding to play for the Rockford Foresters of what was then known as baseball’s National Association. He was an instant hit, accruing a .325 batting average while holding the position of first baseman for the team.

In 1876 William Hulbert and Spalding chartered a new division in professional baseball called the National League. Its flagship team, which at the time wore all dark blue uniforms and caps, donned long ivory colored socks that stretched from their foot to their knee and became dubbed “The White Stockings.”

Anson was the team’s powerhouse hitter and led the club to capture its first pennant that year. Two years later, following on that success, he was struck out only once in the entire season, and the next year was named manager of the team.

He continued to play on the field in that role with the White Stockings building up an unprecedented .798 winning percentage. Anson himself captained the team to three more pennants and maintained a .400 batting average. He became known as “The King of Swing” and was noted as one of the most recognized names in sports around the world.

A dark chapter in this stellar career came in 1883 when he objected to playing against the Toledo, Ohio team that included an African American catcher (Anson, in later years, embraced Black athletes and enthusiastically played on the field with members of what would become the Negro League). His star continued to shine through the late 1880s, including two more pennants and a World Series.

A shadow, however, would be cast over him and all of baseball at the beginning of the ensuing decade when, in a dispute over pay and other issues, ballplayers walked out on their teams and Anson formed his own branch, which he called the Players League, captaining its flagship club, the Chicago Colts. The rift between athletes and management was ultimately resolved and the National League restored to prominence, but resentment by many players reduced Anson’s standing in the sport.

By that time in his 40s, his performance on the diamond began to wane, hitting less than a hundred runs by the end of the 1892 season. He remained in the line up until 1897, completing his Chicago career with a batting average of .285 that year. Anson retired in the fall at age 45, the oldest player to that time in the history of the league. Raised on small-town pioneer values, he turned down a $50,000 pension, terming it “charity.”

Anson never lost the itch to play, though, and went on to serve a year as manager of the New York Giants and then returned to the Windy City where he organized a minor league team, reviving the name of the Colts, and built a baseball stadium in which they could play, on the city’s south side (not to be confused with Comiskey Park, which was later erected on 35th Street as home to the American League’s White Sox franchise). At 55, he chose himself to play first base but despite his fame was unable to finance and attract top athletes. The business folded in 1910.

Anson soon lost the club, the stadium and his home in bankruptcy and moved quietly to reside with his in-laws. There, he lived off scant residuals he made from sales of a biography he wrote and occasional speaking engagements on the Vaudeville circuit as a former celebrity.

Anson died in 1922, penniless. The National League took up a collection and paid for his burial at Oak Woods Cemetery in Chicago. His grave is marked by a granite marker bearing two baseball bats crossed at the center.

Now, as we think of Kevin Costner’s character, Ray Kinsella, sacrificing nearly everything to fulfill his dream of baseball, let us not forget another Iowa legend who lost it all in pursuing his passion of America’s pastime.

A monument has been put up in downtown Marshalltown honoring the Anson family legacy. Although it has received little attention and only an occasional few visitors, perhaps the aura of the Major League contest in Dyersville will prove the mantra true once again: “if you build it, they will come.”

I just finished watching this DVD last night. There are 24 different lessons that are covered and I found it very interesting how baseball got started and how it progressed and changed over the decades. Cap Anson was one of the early players that was talked about as well. You might enjoy this.

https://www.thegreatcourses.com/courses/play-ball-the-rise-of-baseball-as-americas-pastime
 
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On a trip to the Negro League Museum during the opening when they give a brief history about the early days of the Negro League the host mentioned how bad a person Cap Anson was. Took racism to the extreme.
 
On a trip to the Negro League Museum during the opening when they give a brief history about the early days of the Negro League the host mentioned how bad a person Cap Anson was. Took racism to the extreme.
African-American baseball players were not allowed to play in what would come to be known as Major League Baseball until 1947 as Jackie Robinson broke the color barrier when he took the field for the Brooklyn Dodgers. But when was the rule written that excluded African-American players from the game? The truth is no rule was expressly written to exclude African-American players. The ban can be traced back to deep-rooted prejudices present in the United States during the late 19th and early 20th centuries. In fact, a team in Philadelphia is often cited as setting baseball on the course to segregation.
On October 16, 1867 the Pennsylvania State Convention of Baseball in Harrisburg denied admission to the Philadelphia Pythian Baseball Club thus ushering in the era of segregated baseball. Though not a formal ban on African-American teams or players, the feeling that whites and blacks should play on separate teams began to gain steam.
The issue of segregation in baseball was pushed to the forefront on August 10, 1883 when Adrian "Cap" Anson of the Chicago White Stockings (now the Cubs), a top baseball figure who was enshrined in the Baseball Hall of Fame in 1939, refused to play in an exhibition game against the minor league Toledo Blue Stockings if they played their African-American catcher Moses Fleetwood "Fleet" Walker. The Blue Stockings, who originally planned to rest Walker, instead moved him to play centerfield. Anson eventually did not follow though on his threat but only because he learned he would lose the day's pay.
Anson would continue to push to have African-Americans excluded from baseball with many white players, due to Anson's prominence in the sport and their own racist beliefs, backing the notion. On July 14, 1887 during an exhibition game against the Newark Little Giants, Anson refused to play if African-American pitcher George Stovey took the mound as scheduled. Anson's threat to sit led to Stovey being scratched from the game. Ironically, while Anson was taking his stand, the International League, to which the Little Giants belonged, voted to ban the future recruitment and signing of African-American players. The National League and American Association, though nothing formal was written into any rulebook, followed suit with a "gentleman's agreement" that effectively banned African-Americans from the professional leagues for the next 60 years.

 
On a trip to the Negro League Museum during the opening when they give a brief history about the early days of the Negro League the host mentioned how bad a person Cap Anson was. Took racism to the extreme.
Cap Anson made Ty Cobb look like a saint. There's certainly some truth to some of Cobb's negative qualities, particularly being cantankerous and ruthlessly competitive, but other aspects of his were likely exaggerated such as being an unabashed racist and a loose cannon that went looking for blood for any perceived slight. I don't doubt that he was at least a little bigoted and misogynistic, because pretty much every white guy in the 1910s and 1920s held those 'values'. But he also had very kind things to say about Jackie Robinson and Willie Mays in his later years which certainly would have been considered progressive in the 1940s and 1950s. Unlike Anson, Cobb did have a fairly sharp business acumen (he ended up pretty wealthy in his later years due to investing heavily in GM and other then-upstart companies) and was also shrewd enough to understand that the landscape of professional sports was changing, and didn't feel an urge to fight it.

After Kenesaw Mountain Landis, Anson was probably the biggest POS in MLB history. Cobb had his flaws, but he did have some redeeming qualities.
 
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